What did I enjoy in 2024?
Welcome one and all. It's time once again. The end-of-year Round Up. 2024 has been an exciting one for me: it's the first where I've properly lived as an Adult with a Job to Work and Rent to Pay. It's been pleasant! Cambridge is a lovely city, especially the Mill Road area. I spent the first half of the year building up some savings before living it up and enjoying myself more: RPG books, clothes, furniture, music, and - most importantly - eating nice food in the company of friends. I've unfortunately become quite fond of weissbeer, which I have spent many hours drinking in the company of other inveterate Belgian beer addicts.
I've spent a lot of time making an effort to better myself. This included two separate role changes at work (I now make maps!), learning a lot of different art mediums (I've picked up lino-printing properly again, as well as experimenting with watercolours and miniature painting), and pushing myself to do things and go out places more. I've seen some good bands this year (Ryley Walker in September was great) and made some good new friends. One of my main focuses was writing and publishing a tabletop roleplaying-game product at least once a month. I smashed this goal, putting out a lot of work I'm proud of while also meeting new people and developing my taste significantly. Thanks go out to Luke Gearing's Thinking Adventures community especially. If you want a taster, try the one-page adventure I wrote for the Jennell Jaquays memorial jam. A big step came after watching a travelling show called Three Acres and a Cow in April, which inspired me to begin working on a series of RPG books based around The West Midlands. It all really came together after that.
I've also lived as a vegetarian for a year now! I've perfected my katsu curry with the help of Mill Road's bountiful Asian supermarkets and looking forward to doing the same with a few Indian curries in the coming year. If anyone has any suggestions for recipes like that, just let me know. I've also begun hosting larger dinners, culminating in a well-executed Early Christmas Day feast a few weeks ago. I'd like to think I'm a well respected cook and host amongst my friends at this point.
So, what's next? Well, I'm taking a much needed break from intensive RPG writing. I'd like to actually run some of the books I've written. I also want to get more into miniature wargaming with my friend Deryn, especially Mordheim (unit-based battles) and Warhammer 40K Rogue Trader (the original edition, without any of the lame lore and stuff). I'll feel a lot more comfortable once I've developed a strong style with that. I'd also like to pick up cycling again! Depending on how I manage going up and down the Cam to neighbouring villages, I'll see if I can do some kind of cycling holiday in Europe. If I can manage to get decent times running, I might even be able to do triathlons (I can reliably swim a 30 minute mile, which is more than enough for that segment). Not making any promises though.
Anyway, enough of my own year. Time for a look at the media that's really caught my interest. I'll start as usual with video games (even though I don't play them half as much anymore!) and then go through RPGs, books, internet media, TV, films, and end with music. I'll stick where I can to tweet length. Alright - onto the games:
- Animal Well (2024): a beautiful little toy-box (which is what they were going for). A real big escape room. The theming was excellent. The best part, which they should have stressed more, is it being 10MB in total! As the stuff got more complicated and ARG-like, it got so much worse.
- Anodyne 2: Return to Dust (2019): I got into Analgesic Productions through their demo for Angeline Era and was pleasantly surprised! This is a game you can hang out in. Amazing atmosphere, soundtrack, landscapes. The episodic nature is excellent too - just hanging out in these different little zones. Shockingly good. A great satire of a certain type of game narrative. It's a better Undertale than Undertale.
- Arctic Eggs (2024): can you fry an egg on Mt Everest? This is a perfect example of a little experience, three or so hours (certainly a single sitting). I think everything the game does (the writing, even the gameplay) is in service of getting you to hang out in a couple of nice spaces with some good music.
- Deadlock (2024): the haters were wrong. Valve can still make games. It's just that they can only make hyper-competitive esport titles. Still, very satisfying to shoot in, and a very inspired aesthetic (it's ridiculous that in 2024 a video game where the characters aren't sexy is groundbreaking).
- Mouthwashing (2024): a horror game about capitalism and gendered violence. It's not groundbreaking in theme, but the writing and delivery elevates it to stomach-churning heights. Every scene that they felt obligated to add in 'gameplay' to was incredibly disappointing and half-ruined the experience. This should be a stage play.
- Sephonie (2022): another platformer by Analgesic productions, about Taiwan and diaspora. The first two hours are excellent. The first scene - the one about fish - blew my socks off. It doesn't stay as good as that though.
- Silent Hill 2 (Remake; 2024): Bloobed. Far too long. Soft-locked at the hotel by running out of healing items. The health system is terrible! The semiotics used in any other game for 'almost dead' actually indicated 'half-health'. The first windy section was great, and the sound design in the apartments was So Good (the graffiti room especially). The Eddie fight was also turned from a joke to a greatest of all time boss (all with the simple trick of copying Revolver Ocelot). Still awful because of the length though.
- King's Field: The Ancient City (2001): so this was 2001. Halo was just out. Yet little-known Japanese dev company FromSoftware was still making first-person dungeon crawlers with tank controls where you look up and down using the trigger buttons. It's horrific to play. Yet, it still owns. It's better than Elden Ring. The sense of place and items mattering more is really cool (route planning and the use of the teleport sigils makes me think of cancelled features from Dark Souls 3). An intricately learnable RPG.
- STRAFTAT (2024): '1v1 deathmatch shooter by the BABBDI dev' is a joke I would make. It's incredible fun. People say that trance music is good because of the combination of ethereal synths and drumbreaks. This is similar in that the desolate levels combined with the shooting leads to a beatiful flow-state. Coincidentally, it also has a jungle soundtrack (much like the charming Ratz Instagib). Shame it's only 1v1, because I'd get everyone on this otherwise.
- The Witcher 3: The Wild Hunt (2015): did the intro (the griffon and the palace diplomacy section). Excellent little experience - daring of CD Project Red to make a 3 hour long game that told a neat little story. Gerald is a lovely character: just a messed up guy that loves his family very much. The combat, the stat-twiddling, and the equipment systems are terrible. Great fun to watch and experience the story though. Excited to play Thronebreaker at some point.
- Wrought Flesh (2021): like if a 70s sci-fi short story was a game. A biopunk shooter-RPG where you play a religious assassin who slots different organs into his body for different stat bonuses. The setting and writing are lovely. About three hours long and disastrously undercooked towards the end: you can tell the dev was getting tired of it. The laser-pointer tiger mutant was cute. Anyway, a bit too expensive for three hours of game.
- Demon's Souls (2009): tries very hard to be a terrible game (some of the levels and bosses are horrific) but turns out it's still actually better than Elden Ring. The importance of weapon types and the relative unimportance of weapon upgrade levels means that you're exploring and experimenting much more smoothly (delving into your toolbox of weapons and items). The vibes are also off the charts. A great dungeon crawler.
- Elden Ring: Shadow of the Erdtree (2024): better than Elden Ring. Cooler zones. Stronger images. More entertaining characters. My god! The characters and writing carry the experience. It's crazy that it took them until now to realise that having the characters speak to each other is rad. I hope the Japanese never stop hiring Welsh z-list voice actors.
- Resident Evil 2 Remake (2019): survival horror might never get better than this: planning your route across the same pitch-black zombie-infested areas you're forced to cross again and again. The entire experience is almost entirely carried by the zombies all looking different and hanging out in specific places. The policewoman zombie that lurked in the showers must have bitten me about five times over the course of the game.
- Her Story (2024): haha. Incredible. So obviously influential to everything afterwards (especially Obra Dinn & A Hand With Many Fingers). The most stripped-down version of this kind of game. Great job man.
I also did a lot of gaming away from the computer. This was the first year where I played a lot of board games. The most frequent was probably ROOT, which is an incredibly frustrating and unbalanced game (the cats suck and all the expansion factions are just better versions of the base ones). The best was probably the simple card game Sushi-Go, which I played for the first time in a cafe in Birmingham! That's a hilarious little game.
On Sundays I've continued to play in my housemate Hattie's Wolves Upon The Coast RPG campaign (sixth century vikings in Europe). Much of this year was taken up by someone's ridiculous boast to kill the Archdruid of Ruislip (Ireland) which sparked a religious crusade that almost destroyed the whole island. My character, Cathal, ended up killing his whole family (for largely unrelated reasons) and then turn-coated to the side of the Christians (despite the fact that a few seconds earlier he had just assassinated the Christian king-to-be during some battlefield chaos). After the battle at the Druid's circle, we were all at a loss for what to do besides flee to Albann (England) and swapped to Hattie's own game for a break: EIGENLICHT, a retrofuturist sci-fi game inspired by the Weimar Republic and Jewish mysticism. Characters are randomly determined: we ended up with a cybernetic fascist policewoman, a blood-drinking noble scion covered in Mensur scars, and me, a techno-dybbuk that possesses androids to cause chaos. I'm very proud of Katarina: I'm playing her as an extremely annoying liberal who constantly virtue signals about android rights. In the new year we'll be trying out some Warhammer Fantasy RPG - my rolled character for that is a fat paranoid smuggler called Gerald van der Reever.
On Wednesdays though, I've been playing in my housemate Lys' home-made system Soldiers of Fortune. It's a fun system where you build your character by rolling the different events that have happened to them over their life (where were they from, what did their parents do, did they migrate, and a bunch of other random events). We've had two seperate 'campaigns' so far. Both were intended to be playtests, but they've both spiralled out of control into operatic levels of drama, betrayal, and player-on-player slaughter. They've been so much fun. In the first one I played a bloodthirsty racist who, as a teenager, began collaborating with an invading nation to put down peasant rebellions. She was obscenely wealthy from her treachery yet wasn't actually good at fighting (most of her experience was of killing serfs). She attempted to start a mutiny against the "Vaalish sodomites" but was locked in the hold for most of the campaign when she failed horrifically. My second character has been a barber-surgeon who follows ridiculous self-imposed rules 'as to not provoke the spirits'. This has included insisting for numerological reasons that another person should be left to drown when a river-crossing went horribly wrong. Both great characters. Excited to carry on with that. We're currently assisting a bunch of essentially Mormons in an archeological dig that they believe will prove their religion has been worshipped for milennia. We hate them: we're going to kidnap and ransom their nobility SO hard.
While writing my own RPGs, I read an awful lot for inspiration. I'd like to give a quick shoutout to Castle Grief, whose RPG zines and mini settings were extremely helpful for thinking about how to make a playable setting. Luke Gearing's stuff has also obviously been great to read. Sag River Extreme Cold Research Facility, Alaska was a joy to run for a group (it gets very eerie if the chimpanzees ambush you early on!). His Monsters & and &&&&&&&&& Treasure books were also brilliant (and so cheap - I'd recommend them to anyone interested in taking RPGs further). I've printed and bound up He Ain’t Gonna Jump No More by Tom Mecredy, where you play as American paratroopers over 24 hours as they drop into Normandy behind Utah beach on D-Day (and get scored on completing different objectives). It seems like a cool little rogue-like experience due to the random elements and the scoring system. There's an incredibly sobering rule for generating your paratrooper's age (1d8+16). The best RPG I've read this year though is none other that AGAINST THE APOCALYPSE by Oleander Garden. It's a satire of PbtA systems that pretends to be a rules-light story-game but is essentially Free-Kriegspiel with extensive guidance on calculating bullet velocity for different firearms. I'd love to run it at some point.
One issue with the amount of RPG reading and writing I did this year is that I haven't had much time for actual books. I read the delightful The English Year by Steve Roud for research, which detailed extensively the traditional abuse of cocks around Easter (they hurled horseshoes and played pinata with them!). There was also Vermis, the fake RPG walkthrough book, which was nice to read with some fun ideas, though I'm cautious of the slew of imitators that has sprung up (I don't think there's that much you can do with the format).
As for proper books, there were only two. There was What I Talk About When I Talk About Running by Murukami, which was a pleasantly short meditation on discipline and hobbies in general (high recommendation), and there was Ways of Seeing by John Berger. Wow! A perfect example of a specific kind of post-war-consensus public intellectualism: a talented and clear spoken gay didact talking you through these academic concepts with obvious charm and a sense of modernist duty to the people, who he hopes to educate and uplift. Also, the form of the book itself! The tiny bold text and thin margins. The small paragraph breaks and 'in-text' illustrations. The 'pictoral' chapters! Neither the image or commentary is privileged - it's all just one conversation, as if Berger is talking you through these diagrams in person. Their "principal aim" - coming from a beautiful place of love and trust and social-democratic pride - is merely to "start a process of questioning". Required reading.
What about writing online? I've read an awful lot of blog and journal articles this year. Most of them were about RPGs (I'll spare you most of these). But there were some other fun ones!
- I don't read Vittles as much as I used to, but I was exceptionally lucky to click their article on the Katsuification of Britain. Now this is food journalism! A historically-conscious review of cultural exchange between Britain and Japan through the (turns out) specifically British phenomenon of the Katsu curry. A great read with some cool facts.
- I found another great article while trying to recover from Lake Mungo. This one put into excellent terms the feminist themes of the film by contrasting it with other media centring around the 'Dead Girl'. A beautiful article which makes an important point about the countless dead women, whose only agency now is to - after their deaths - confront those around them with their own culpability.
- I've always loved Huw Lemmey. I got into him through the history podcast Bad Gays and the perspective he brought to their episode on Morrisey. I'd really recommend his blog and the self-performed audiobook of his political-erotica Red Tory: My Corbyn Chemsex Hell (on Spotify now!). He often does thoughtful articles on his blog on queer topics. One he posted recently was extremely charming and honestly a little tearful: a retrospective providing context on a specific joke made by comedian Julian Clary about ex-chancellor Norman Lamont. I look forward to reading Huw's work for years to come.
- I first encountered Ella Guro through the Insert Credit podcast, which she's guested on a few times. Since then, I've enjoyed her various podcasts and video series (including her tours of custom DOOM maps). This year she put out a monster of a post - Let's Play Life - trying to draw together her thoughts about the juvenility of online fascism through the lens of the Let's Play format. Lots of lamenting the state of online journalism and art in general. Fun read (check out her older posts too, like The California Problem). Reminiscing about this, it makes me think about when the Fine Bros tried to copyright 'react content'. My god, what a tragedy that they backed down. Imagine if they did! We wouldn't have to deal with the empires of trash built by the most talentless hacks on Twitch (yes, this also includes the left-wing ones).
- To finish with blogs, two quick ones. First, this nice writing guide by Sam Sorensen off the Thinking Adventures server. Helped me tighten up my prose a bunch. Thanks dude. Second, I really appreciated James Maliszewski's post (and a few others like it) explaining the link between the traditional Picaresque hero and role-playing games. It's important to make these kinds of links and observations when so many people lazily suggest that the history of the medium begins and ends with racists from America. I mean, one of my friends recently discovered an extremely obscure Dark Ages RPG written in 1978 (that's contemporaneous with B/X D&D!) by a guy from Birmingham! Imagine the glorious future we could have had, if only all of gaming had been inspired by people from the Midlands (as opposed to only some of it)...
Beyond the written word, there's also a couple of Youtube videos that caught my attention this year.
- The one that springs to mind immediately is this bizarre vlog of some lame American guy who lives on a farm with his family trying to grow tomatoes using the seeds from a subway sandwich. It summarises neatly the stupidity and incompetence of a specific kind of fascist: the homesteader-influencer. He spends the whole time talking about how he's really rugged and self sufficient while also framing the act of farming like it's an 'infinite money glitch'. The punchline? He fricks it up and kills the tomatoes because he doesn't know even the first thing about agriculture. 8 minutes.
- I also enjoyed this video from Nat Clayton where we take a pleasant walk through an empty battle-royale game map. Normally people like to frame this kind of thing (empty video game levels) as eerie and such, but Nat specifically tries to make it seem like a nice pleasant walk (which it is)! There's a cute little joke where we miss the zipline in favour of the stairs. Check it out. It's about 11 minutes.
- Last but not least (by runtime anyway; 4 hours) is Jenny Nicholson's video on the Star Wars Hotel, which was a delightful watch. I loved her in 'Spider Reviews', and I loved her here. Maybe a bit overlong. This is an antidote to the usual terrible quality video essays on the platform: it's quite good, quite involved, and includes - crucially - primary research. Fuck Jacob Geller.
Bridging the gap between internet things and TV, I'll take a moment to talk about some stage shows. First, Three Acres and a Cow. This was a strange travelling show telling an alternate 'peasant' history of England through stories and folk songs, aiming to educate the masses on topics of nationalism and colonialism and historic class struggle. It was really good! It covers quite a lot - from the Norman occupation through to the present day. It goes over a lot of important events that should be known about more (Peasants' Revolt, the Diggers, Parliamentary Enclosures, the Peterloo Massacre, etc). It avoids being parochial or agrarian or pre-lapsarian, and it does a good job drawing the history into present struggles. They've actually released the script online so other people can give shows like this, but I really recommend seeing it for yourself if it comes to town. And just quickly, I'll say that I saw another great production this year: a panto production of Cinderella put on by a bunch of student barristers. Hilarious and very saucy (discussing the working pattern of two builders: "Peter works during the morning, and Jack's off in the afternoon"). Absolutely bravo to Tom, who wrote and directed it, and to all the cast (especially the drag Ugly Stepsister).
Ok. On to television. I still haven't finished Better Call Saul (maybe eventually). I did watch some other things though, including several new absolute favourites:
- Mr Robot (2015): season 1 is a best of all time TV show. The ideas, the drama, the twists. Great! Elliot is such an anti-hero narcissist. He's absolutely unbearable. Then because of the 2016 American Election the show devolves into liberal nonsense that relies entirely on (often quite offensive) twists. The only redeeming elements of later seasons are the cute gimmick episodes and Irving! What a character. The episode just about Tyrell and Irving owns. The FBI lady is kind of slay too. Only really bother with the first season.
- True Detective (2014): "I Quit. Fuck this world". Matthew, you did it again. Louisiana-core QAnon. That shootout scene in episode 4! Wow! Probably one of the best shows ever. Endlessly quotable. Love Rust and Marty forever. The scene where he turns up drunk with flowers? Slay. Rust is so hunty. This is another best of all time.
- Shiki (2010): this is Hamlet. It's the best thing I've watched in a long time. A rural town afflicted by a strange illness. A cast of - by the end - easily fifty characters. Delightfully 2008. The themes are so good: conservatism, small-town parochialism, the death-grip of the Old on the New and Young, and even a sensitive depiction of abuse. Reading the reviews for this (don't until you've watched it) is the easiest way to convince yourself that the average person is a fascist. I can't spoil this: it is just one of the best shows I've ever seen. It has an intro by BUCK-TICK! Watch the dub (it's a good one!), and watch it actively: there's so much you can read into every scene and dialogue. It's so literary. If you take any recommendation from me this year, take this one. Watch it to the sad miserable end.
- Darker than Black (2007): nokia-wave Matrix-inspired paranormal spy thriller where each story arc ends up with the normal people dead and the horrible Chinese spy anti-heroes retrieving another asset. It cuts out those boring monologues where characters explain how everything works: people just refer to 'Renumeration' and 'Contractors' and such, which makes it So Much better as a spy flick. Each two episodes are usually one story: I accidentally watched these 'couplets' out of order a few times, making everything very non-linear: it honestly works! Try it with episodes 3&4 and 5&6. Stick around for the crazy tonal shift in 7&8 though. The intro is SO 2007 - look at the first twenty seconds!
On to the other moving picture category. Early on in this year I finally got a Letterboxd, which encouraged me to start watching and reviewing a ton of films. It's a little bit of a shame, because I usually like to save my thoughts for these round-ups, but it should be ok. Part of my method with these blog posts is to think about what stuck with me and my hindsight-shaded opinions on them, whereas with Letterboxd I do the reviews instantly without looking up anything about them ("the film is the talking"). Anyway, let's go:
- Stress Positions (2024): Terry Goon and Karla are the huntiest characters this year. A very comfy film about racist bourgeois narcissists who think they're woke because of their identities. They're not. They're all in hell. Some think they've escaped: they haven't, and it's because they bring it with them.
- In A Violent Nature (2024): a wonderfully slow reverse-slasher. Balances re-interpretation of the genre with being a well-constructed and tense film. Some good jokes in it. Big mistake showing the guy's face though. Yeesh.
- Happy Together (1997): the soundtrack and the raw acting bring this together more than anything else. Those boys sure can argue. Wonderfully melancholy. The tango scenes are great. Also: the best needle-drop of all time at the end.
- La Chimera (2024): a delightful holiday in Italy: the concert scene especially. Transformed how I think about treasure-hunting and 'adventuring' in general. Italia is the best character. Also the folk band! Wowie! A testament to the quality of the writing that they pulled off the train conductor scene towards the end. Well done.
- Perfect Days (2024): probably my new favourite film. Beautiful. Reminded me of when I worked as a cleaner. Truly one of the best of all time. Another film with a ridiculous needle-drop ending. Koji Yukasho is stupendous in this, and I've been following him around the J-Horror sphere ever since.
- Seance (2000): speaking of! Hilarious j-horror Macbeth adaptation. Quite scary, but also one you can put on and laugh at with a bunch of friends. Quality.
- A Haunting In Venice (2023): a fun little mystery. Ken and the rest of the cast obviously had a ton of fun filming this. Some of the shots were very silly (which is fine).
- But I'm A Cheerleader (1999): very cute comedy that encapsulates a certain type of camp aesthetic and humour: it both depicts campness, but is also so so camp itself. And then the ending creeps up and sucker punches you. It's crazy!
- The VVitch (2015): turns out playing things straight is really cool actually. Hooked from the first ten minutes (when The VVitch shows up). You can't get better than that really. And then it does! That ending! Obviously lays it on a bit thick with the themes, but that's fine because it's got far more than that.
- Lake Mungo (2008): one of the first proper horror films I've watched. Dread. Pure dread. Has kept me up on many nights since. The slow zooms. The grain. The feminist theme is so good. The ending had me reeling, and then utterly broken. The horror cuts so deep because it's a type of fear and dread I've felt a lot growing up watching Youtube videos of CCTV ghost sightings from the age of seven or something.
- Love Lies Bleeding (2024): two beautiful women lift weights and get all sweaty and make love and shoot guns and kill people. They're both so evil and deluded and it's so good. "There's absolutely nothing wrong with you": lmao. The ending (I mean the actual ending, in the truck, not the bit that people are usually talking about) is also great.
- The Stone Tape (1972): exceptionally good example of British TV horror. The conceit is clever and well done. In the light of today, the feminism is also done very well: it could do a pretty good job presented without comment as a critique of True Detective S1 or such. Watchable here.
- Resident Evil (2002): Mila Jovanovich shoots an MP5K and jump-kicks a zombie dog straight to hell while wearing a nice dress. Also the lady who plays the barbarian in the D&D movie is here doing weird gay-baiting?
I never number these round-up lists because I find it impossible to rank them. I'd recommend all of those films to just about everyone I know, especially Stress Positions, Violent Nature, Seance, and Lake Mungo. Really fun films that are all pretty short. I watched Seance using a Youtube rip for goodness sake! Try 'em out!
And now, as we round the corner into the final stretch, it's time for music. I listened to a ton of music this year, old and new. Virtually all the time at work I've be listening to something. I've especially enjoyed listening to stuff while writing in the living room on my laptop. Having a big sound-system is nice. Some of my favourite nights have been inviting people over for a meal and sitting around in my nice candle-lit living room listening to an album or playlist. Here's a list of twelve recommendations for this year:
- Sunbather (Deaf Heaven, 2013, 59:57) - yummy. The Wikipedia page calls it 'Blackgaze', which is a very funny name but ultimately appropriate. Just stick it on - it's very listenable.
- Hex (Bark Psychosis, 1994, 51:18) - winter music to have on while working. Just put it on.
- VIVA HINDS (Hinds, 2024, 34:23) - some girls from a place called Madrid made some pop! Try 'The Bed, The Room, The Rain and You'.
- Refugees [single] (The Tears, 2005, 14:39) - more Suedey goodness but condensed down. Refugees into Southern Rain is crazy! What a song. I really like the music video too.
- Cool Islands (Cusco, 1982, 39:25) - Germans making strange Arctic-inspired ambient techno? Yes please! Try Aurora.
- I Trawl The Megahertz (Prefab Sprout, 2003, 53:40) - I must confess I mostly just listened to the title track. What a song though: "Lord you gave me nothing, then you took it all away".
- Celebrity Skin (Hole, 1998, 50:26) - a pile of good songs.
- Car Wheels on a Gravel Road (Lucinda Williams, 1998, 51:47) - good country. It's raw melancholy Americana. Try Can't Let Go.
- The Crying Out of Things (the body, 2024, 36:35) - stupendously heavy. Screams of fear. Actually gets quite scary. Just put it on, loud. To be honest you kinda need good sound quality for this.
- Slow Dance '18 (Slow Dance, 2020, 55:15) - a pile of good songs. Perfect for putting on in the evening while chatting.
- The Daylist - I got very into the Spotify algo-playlists this year. They're a great way to find new stuff! My daylists every Friday night (when I usually host) are all Japanese city/summer-pop. Discover Weekly is also great. I'm aware of Spotify's terrible practices though, so I do still make sure to buy something every Bandcamp Friday.
Well. Just as the year is drawing to a close, so is this blog post. I capped off my round-up for 2023 by suggesting that this year will be "a turning point for me, many of my peers, and the country in general". Well, in retrospect, this was true for me, true for my friends, but certainly not true across wider society. Despite the spate of elections we've had, I detect no sudden upwards (or even downwards) inflection in the trajectory of progress: I think it's probably going to keep on getting slowly different (if not worse). That's not for me to worry about though. I'm going to continue to do my best to enrich the lives of those around me, and to keep an eye out for those small victories (like the incoming bus gate on Mill Road, active from the 2nd of January - suck it up motorists).
I sincerely hope everyone has a lovely Christmas and a fantastic 2025. See you all in the new year. Yours Truly.